2003 Garland Pipe Organ
In June of 2002, a major organ renovation began, the largest organ project since 1954. Dan Garland Pipe Organ Company of Fort Worth worked on the overall project. A new 4-manual organ console was built by Robert Turner of California. Dr. George Baker of Dallas was our organ consultant. Facade pipes were built on both sides in the chancel area to add more elegance and beauty in the sanctuary. A new air-heating system was installed in order to stabilize the temperature in the organ loft area. The entire ceiling was also replaced to improve the acoustics in the sanctuary during the summer of 2002. The new organ was completed in September of 2003. Dr. George Baker gave the dedication organ concert on Friday, September 19, 7:00 p.m.
SPECIFICATIONS:
Organ built and installed by Garland Pipe Organs (2003)
4-Manual Console built by Robert M. Turner
Digital Stops built by Bob Walker
75 Ranks, 4,778 Pipes, 5 Ranks of Walker Digital Voices
| GREAT (Manual I) (16 Ranks, 1,108 Pipes) | CHOIR (Manual II-Expressive) (24 Ranks, 1,482 Pipes) | ||
|
32 |
Montre (Walker Digital 1-12) |
16 |
Bourdon |
|
32 |
Grand Bourdon (Walker Digital 1-12) |
16 |
Quintaton |
|
16 |
Montre |
8 |
Principal |
|
16 |
Flûte Ouverte |
8 |
Cor de Nuit (from Bourdon 16) |
|
16 |
Bourdon |
8 |
Salicional |
|
8 |
Principal |
8 |
Unda Maris |
|
8 |
Octave (from Pedal) |
8 |
Dulciana |
|
8 |
Montre (from Montre 16) |
8 |
Dulciana Céleste |
|
8 |
Diapason (from Bombarde) |
8 |
Voix des Anges II |
|
8 |
Flûte Harmonique |
4 |
Prestant |
|
8 |
Flûte Ouverte (from Flûte Ouverte 16) |
4 |
Flûte |
|
8 |
Flûte à Cheminée (from Bourdon 16) |
2 2/3 |
Nazard |
|
8 |
Bourdon |
2 |
Doublette |
|
5 1/3 |
Grand Nazard |
2 |
Quarte de Nazard |
|
4 |
Prestant |
1 3/5 |
Tierce |
|
4 |
Octave (from Montre 16) |
1 1/3 |
Larigot (from Nazard 2 2/3) |
|
4 |
Flûte Ouverte (from Flûte Ouverte 16) |
1 1/7 |
Septième |
|
4 |
Flûte Octaviante (from Flûte Hamonique 8) |
1 |
Flageolet (from Quarte de Nazard 2) |
|
3 1/5 |
Grande Tierce |
1 1/3 |
Mixture IV |
|
2 2/3 |
Quinte |
16 |
Basson-Cor Anglais |
|
2 2/3 |
Nazard (from Grand Nazard 5 1/3) |
8 |
Cromorne |
|
2 |
Doublette |
8 |
Cor Anglais (from Basson-Cor Anglais 16) |
|
2 |
Quarte de Nazard (from Flûte Ouverte 16) |
8 |
Clarinette (from Swell) |
|
1 3/5 |
Tierce (from Grande Tierce 3 1/5) |
16 |
Bombarde Harmonique |
|
1 1/3 |
Fourniture IV |
8 |
Trompette Harmonique (from Bombarde Harmonique 16) |
|
16 |
Bombarde |
4 |
Clairon Harmonique (from Bombarde Harmonique 16) |
|
8 |
Trompette (from Bombarde 16) |
8 |
Yeager Trumpet (from Swell) |
|
4 |
Clairon (from Bombarde 16) | Chimes (from Great) | |
|
8 |
Yeager Trumpet (from Swell) | Harp (from Great) | |
| Chimes (Walker Digital) | Tremulant | ||
| Harp (Walker Digital) | Choir to Choir 16 | ||
| Cymbelstern (Walker Digital) | Choir Unison Off | ||
| All Swells to Swell | Choir to Choir 4 | ||
| Tremulant | |||
| Great to Great 16 | BOMBARDE (Manual IV-Expressive) (8 Ranks, 524 Pipes) | ||
| Great Unison Off |
16 |
Flûte Ouverte (from Great) | |
| Great to Great 4 |
8 |
Diapason | |
|
8 |
Flûte Harmonique (from Great) | ||
| SWELL (Manual III-Expressive) (22 Ranks, 1,395 Pipes) |
4 |
Octave Diapason (from Diapason 8) | |
|
16 |
Bourdon |
4 |
Flûte Octaviante (from Great) |
|
8 |
Principal |
2 2/3 |
Grande Mixture VI |
|
8 |
Flûte Traversière |
16 |
Tuba Magna |
|
8 |
Bourdon (from Bourdon 16) |
8 |
Tuba Mirabilis (from Tuba Magna 16) |
|
8 |
Viole de Gambe |
4 |
Tuba Clarion (from Tuba Magna 16) |
|
8 |
Voix Céleste |
16 |
Grande Bombarde (from Pedal) |
|
8 |
Flûte Douce |
8 |
Trompette (from Pedal) |
|
8 |
Flûte Céleste |
16 |
Bombarde Harmonique (from Choir) |
|
4 |
Prestant |
8 |
Trompette Harmonique (from Choir) |
|
4 |
Flûte Octaviante |
4 |
Clairon Harmonique (from Choir) |
|
2 2/3 |
Nazard |
8 |
Yeager Trumpet (from Swell) |
|
2 |
Octavin | ||
|
1 3/5 |
Tierce | PEDAL (5 Ranks, 269 Pipes, plus 5 Ranks of Walker Digital) | |
|
1 |
Piccolo (from Octavin 2) |
32 |
Montre (from Great) |
|
2 |
Plein Jeu IV |
32 |
Montre (from Great) |
|
16 |
Bombarde |
32 |
Contrebasse (Walker Digital) |
|
8 |
Yeager Trumpet |
32 |
Soubasse (Walker Digital) |
|
8 |
Trompette |
32 |
Grand Bourdon (from Great) |
|
8 |
Deuxième Trompette (from Bombarde 16) |
32 |
Flûte Douce (Walker Digital) |
|
8 |
Hautbois |
16 |
Principal |
|
8 |
Clarinette |
16 |
Montre (from Great) |
|
8 |
Voix Humaine |
16 |
Grosse Flûte |
|
4 |
Clairon (from Bombarde 16) |
16 |
Flûte Ouverte (from Great) |
| Tremulant |
16 |
Bourdon | |
| Swell to Swell 16 |
16 |
Bourdon (from Choir) | |
| Swell Unison Off |
16 |
Bourdon Doux (from Swell) | |
| Swell to Swell 4 |
10 2/3 |
Grande Quinte (from Great) | |
|
8 |
Octave (from Principal 16) | ||
| COUPLERS (Tilting Tablets) |
8 |
Montre (from Great) | |
| Great to Pedal 8 |
8 |
Flûte (from Great) | |
| Great to Pedal 4 |
8 |
Bourdon (from Bourdon 16) | |
| Choir to Pedal 8 |
8 |
Bourdon (from Swell) | |
| Choir to Pedal 4 |
6 2/5 |
Grande Tierce (from Great) | |
| Swell to Pedal 8 |
5 1/3 |
Grand Nazard (from Great) | |
| Swell to Pedal 4 |
4 |
Octave (from Principal 16) | |
| Bombarde to Pedal 8 |
4 |
Flûte Ouverte (from Great) | |
| Choir to Great 16 |
4 |
Flûte Octaviante (from Great) | |
| Choir to Great 8 |
64 |
Ophicleide Héroïque | |
| Choir to Great 4 |
32 |
Contre Ophicleide (from Ophicleide Héroïque 64) | |
| Swell to Great 16 |
32 |
Contre Bombarde (Walker Digital) | |
| Swell to Great 8 |
32 |
Contre Basson (Walker Digital) | |
| Swell to Great 4 |
16 |
Ophicleide (from Ophicleide Héroïque 64) | |
| Bombarde to Great 8 |
16 |
Grande Bombarde | |
| Swell to Choir 16 |
16 |
Deuxième Bombarde (from Great) | |
| Swell to Choir 8 |
16 |
Bombarde (from Swell) | |
| Swell to Choir 4 |
16 |
Basson-Cor Anglais (from Choir) | |
| Bombarde to Choir 8 |
8 |
Trompette (from Grande Bombarde 16) | |
| Choir to Swell 8 |
8 |
Deuxième Trompette (from Great) | |
| Bombarde to Swell 8 |
4 |
Clairon (from Grande Bombarde 16) | |
| Great on Bombarde |
4 |
Deuxième Clairon (from Great) | |
| Transfer I-II |
8 |
Yeager Trumpet (from Swell) | |
| ACCESSORIES | |||
|
20 |
General Pistonl affecting all stops and couplers, duplicated by toe studs | ||
|
10 |
Local Pistons each for Great, Swell, Choir, and Pedal | ||
|
8 |
Local Pistons for Bombarde | ||
|
4 |
Local Pistons for Couplers | ||
|
128 |
Levels of Memory for Combination Action | ||
|
6 |
Reversible Pistons for Full Organ, Pedal Couplers, All Swells to Swell | ||
|
6 |
Reversible Toe Studs for Pedal 32s | ||
|
4 |
Different Crescendo Settings | ||
For more information about FUMC organs, contact
Dr. Katie Meloan, Organist: 940-766-4231, x231.